BEAUTIFUL SCOTLAND - PRINCELY TURNER
A MARRIAGE MADE IN HEAVEN
This inaugural exhibition is dedicated to the National Galleries of Scotland and the Scottish
team at this museum
When Turner journeyed to Scotland in 1831 to prepare for his illustrations to the Poems, Scott has been
already the toast of Scotland, and indeed the world for some twenty years. And Turner? He has already
earned the splendiferous reputation which impelled Scott's son-in-law to call him that prince of artists.
As the results, that is the engraved illustrations show, this indeed was destined to evolve into a
marriage made in heaven.
Perhaps there is no more appropriate document to put this relationship in a better context than a letter
by Robert Cadell, the canny publisher of the new projected edition of Scott's works. Cadell refers in that
letter to the rapturous response evoked by Scott's The Lady of the Lake, read by poet-loving Turner no
later than 1811, published in 1810:
The whole country rang with the praises of the poet - crowds set off to view the scenery of Loch Katrine,
till then comparatively unknown; and as the book came out just before the season of excursions, every
house and inn in the neighborhood was crammed with a constant succession of visitors...the author's
succeeding works keeping up the enthusiasm for our scenery which he had originally created.
Much praise has been heaped upon Turner's princely illustrations, their surpassing beauty, their
romantic passion and their uttermost harmony with the spirit of Scotland. In 1831 all that was in the
future. What sealed the marriage made in heaven was the down-to-earth prophetic assessment made
by marriage broker Cadell:
With Turner...I will insure the sale of 8,000 for the Poetry - without, not 3,000.
Turner's in-to-day's-dollars fee of some 10,000 per illustration turned out to be a canny investment.